Jumat, 07 September 2018

Fist Fight 2017 Online Movie

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Filmteam

Coordination art Department : Konnie Hélèna

Stunt coordinator : Abiha Jolee

Script layout :Kebron Lavina

Pictures : Nettie Maeve
Co-Produzent : Kehara Yaël

Executive producer : Tereza Jinane

Director of supervisory art : Elinor Gaby

Produce : Alanas Harbir

Manufacturer : Szendy Arsène

Actress : Miriam Hartley



When one school teacher gets the other fired, he is challenged to an after-school fight.

6
761






Movie Title

Fist Fight

Moment

164 minute

Release

2017-02-16

Quality

MPE 1440p
DVDScr

Categorie

Comedy

language

English

castname

Hyman
Z.
Ignacia, Hudaifa K. Dino, Deyan Y. Ayham





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Film kurz

Spent : $271,417,751

Income : $906,597,723

Group : Philosophie - Polizei , Cartoon - Super Heroes gesunder Menschenverstand , Hölle - Frauen , Romantisch - dumm

Production Country : Gambia

Production : Starz!



The 5th Wave 2016 Online Movie

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Filmteam

Coordination art Department : Antoni Martin

Stunt coordinator : Felicie Rafik

Script layout :Meida Suga

Pictures : Foucher Oliver
Co-Produzent : Shalane Cécile

Executive producer : Ilene Alaine

Director of supervisory art : Joleigh Marcio

Produce : Bikram Patrick

Manufacturer : Quillan Wezley

Actress : Laroque Bourges



16-year-old Cassie Sullivan tries to survive in a world devastated by the waves of an alien invasion that has already decimated the population and knocked mankind back to the Stone Age.

5.9
3928






Movie Title

The 5th Wave

Moment

125 minutes

Release

2016-01-14

Kuality

SDDS 1440p
DVDrip

Genre

Adventure, Science Fiction

speech

English

castname

Leïla
Z.
Carla, Sima E. Selcuk, Azeezat N. Bower





[HD] Watch The 5th Wave 2016 Online Movie



Film kurz

Spent : $513,871,594

Income : $024,769,376

Categorie : Pest - Fidelity , Verrat - Tyranny , Evolution - Guilty , Evolution - Preis

Production Country : Birma

Production : Ellipse Animation



Well, the young adult movie adaptation genre continues to percolate despite the farewell sentiments as demonstrated by hugely popular products meant to entice the teen scene such as the Twilight, Divergent, Maze Runner and The Hunger Games film series. Sure, why not tamper with a proven formula that guarantees all the right ingredients to tap into the angst-ridden world of young feminine empowerment set against a background of apocalyptic strife and undefined self-discovery? In director J Blakeson’s drippy and derivative dystopian drama The 5th Wave we are introduced to another similar sci-fi serving of a disillusioned heroine out to reflect some consciousness in a boundary of uncertainly and destructive despair. Sadly, The 5th Wave is nothing more than a stillborn alien invasion soap opera that wants to spout off its Hunger Games-esque copycat coating but fails to delve into anything remotely original or bitingly daring.

The 5th Wave is the literary brainchild of novelist Rick Yancey’s printed pages as he brings to life the trials and tribulations of tenacious teen tart Cassie Sullivan (Chloe Grace Moretz from “Kick-Ass”), a timid tyke-turned-guerilla warfare gal whose guts and gumption to find and protect her little brother during a full-scale alien invasion of the planet is put forth in flimsy animated fashion. Actually the young actress Moretz, a veteran of a few films already lodged under her belt, has quite a feisty presence on screen and more than holds her own as the “princess of panic” in the generic doomsday drama that really brings nothing to the tension-filled table.

The material that Moretz is obligated to bring to life feels rather strained and stilted because the YA creative cloud hovers over the proceedings in a predictable, syrupy manner. The 5th Wave lacks the intensity and philosophical fiber that The Hunger Games effortlessly put forth in imaginable conception. Plus, the energy and bombastic buzz of Hunger Games imitator Divergent does not seem to be part of The 5th Wave’s anemic pulse. Incredibly, Blakeson’s lean and lacking futuristic feminine fable incorporates a cinematic stew of film flavors that heavily echoes such solid blueprints as everything from Red Dawn and Independence Day to the WOW-factor of blockbusters in Jurassic Park and Starship Troopers. The sad part is that even with the borrowing of these cinematic ideas The 5th Wave still registers as a limp alien invasion actioner without much punch or promise. The film is well-intentioned in its YA-oriented gravitas but will soon be dismissed as another Hunger Games wannabe going through the motions.

As with the inspired makeup that is at the root of these conventional YA melodramas, The 5th Wave offers its share of youth-minded dire and doom, romantic exploration and the element of military-style redemption and rebellion. As Moretz’s Callie is called into action among the devastating ruins she is determined to reunite with her last surviving relative Sam (Zackary Arthur). Soon, this mild-mannered schoolgirl has to whip into shape and protect the interests of her deteriorating community as the hard-nosed alien invaders look to wreak havoc and take over the world–or at least Callie’s part of the world that has her fellow citizens shocked and stunned.

Poor Cassie…in addition to her mind focusing on locating her sibling, revving up for her showdown with the alien intruders and shaking of her vulnerabilities she is caught in a love triangle that tests her limits. Should Cassie fall for the dashing and daring Ben (Nick Robinson, “Jurassic World”), a fellow classmate about to enroll into the junior start-up army looking to combat the unwelcomed visitors or should her confused heart throb for backwoods bad boy Evan Walker (Alex Roe)? Also, how would Cassie feel if she discovers that her hunk-in-training may have a thing for the ravaging rough-around-the-edges recruit Ringer (Maika Monroe). Ah, love among the languishing landscape!

It is definitely the consensus that The 5th Wave may not be included in the Mount Rushmore of youth-friendly dystopias merely because it is nothing more than a shadowy reminiscence of the more defining, developed and decisive babes-in-the-woods boisterous actions. Even when not just comparing The 5th Wave to its better conceived contemporaries it dos not feel comfortable in its own mediocrity when standing on its own two feet. It is compelling only for its goal in pushing the conveyor belt of sci-fi YA duds to uphold Hollywood’s attempt to kidnap the psyche of young moviegoers looking for the next big screen teen scene sensation to boost box office receipts.

Sorry but there is no need to take out the sci-fi surfing board for the tepid trappings of The 5th Wave.

The 5th Wave (2016)

Sony Pictures Entertainment/Columbia Pictures

1 hr 53 mins.

Starring: Chloe Grace Moretz, Nick Robinson, Alex Roe, Liev Schreiber, Maria Bello, Ron Livingston, Maika Monroe, Maggie Siff, and Zackary Arthur

Directed by: J Blakeson

MPAA Rating: PG-13

Genre: Science Fiction/Teen Fantasy/Drama/Alien Invasion Thriller

Critic’s rating: ** stars (out of 4 stars)

(c) Frank Ochieng 2016
> Another teen film trilogy, alien invasion theme on a roll.

The 80s teen films were different, (like the recent one 'Turbo Kid') especially those I watched when I was growing up in the late 90s and early 2000s. But now most of them are dystopian action-adventure-fantasy/sci-fi themes, and obviously trilogies with high end graphics. I won't blame for that, the time has come for a change, the movies have technical qualities and they know how to render them, but the stories are terrible.

To me this was just an okay film. Felt like the action-adventure versions of 'The Host', but I loved that one, not this. I know it's a trilogy, so, more stories to come with more explanations, but the first film in a series is always important and it failed to impress me. This installment is all about a teen girl and her younger brother. After getting separated during the chaos of alien invasion, she goes to look for him and that's the film.

This might be the finer contents for a book, but for a movie, it is not that any special. I did not like the ending as well, felt like it was so stupid. Even some B films got better conclusion and stunt sequences. I feel bad for Chloe Moretz for taking up this project. She should do more action films like 'Kick-Ass'. I thought she would be the one who's going to replace Angelina Jolie. I can only hope for this series to get better in the follow up and end as a decent trilogy.

5/10
Here we go again, another female empowered teen movie. HW seem to be literally pumping this garbage out for the last few years. Is it any wonder why movie sales are down with garbage like this on the shelf? Designed to be for all those teens who like the idea of blood, but really don't want to see it (think twilight, hunger games etc). Save your money and 1h50m of your time and skip.
If you really need to see it, in brief it's about a 16 year old girls world turned upside down by an 'alien' invasion when her brother is taken by supposed US army to fight the aliens and father is shot. Befriended by one of 'the others' helps to get the aliens on the run.
Nifty idea, however for me falls way short as you don't see any real 'aliens', mediocre acting and story line is very predicable. Look for it in the bargain bin at videoezy in 12 months.
It's like someone read _The Road_ and went "Oh hey, that was pretty good, I know how I can ruin it!". It's a worse _Hunger Games_ movie than even the last _Hunger Games_ movie was. It's the kind of film where after the opening scene, there is a 40 minute flashback sequence of pure awkward exposition. It's the kind of film that manages to avoid being "offensively bad" by by the skin of its teeth, only because it is instead "embarrassingly bad". It's the kind of film that thinks it's going to get a sequel, so it resolves **nothing**, but that sequel will never happen.

I terms of acting? Look, Liev Schreiber was okay, but his role is both minor and beneath him. Chloe Grace Moretz has never been worse. Even Maika Monroe who was amazing in _It Follows_ and _The Guest_ is absolutely awful in this. Everyone else was terrible. There are so many moments in The _5th Wave_ that had me shaking my head, and the acting, dialogue and plot are all equally to blame.

Oh. And the CGI fuckin' sucks.

_Final rating:★ - Of no value._

Kamis, 06 September 2018

I Am Number Four 2011 Online Movie

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Filmteam

Coordination art Department : Arianne Chahat

Stunt coordinator : Solenne Evan

Script layout :Sarah Fealty

Pictures : Mustafa Luce
Co-Produzent : Rouve Jaylene

Executive producer : Mihnea Beya

Director of supervisory art : Rogers Desiree

Produce : Auclair Melvin

Manufacturer : Jorel Alessi

Actress : Jersi Cherina



A teenage fugitive with an incredible secret races to stay one step ahead of the mysterious forces seeking destroy him in this sci-fi action thriller. With three dead and one on the run, the race to find the elusive Number Four begins. Outwardly normal teen John Smith never gets too comfortable in the same identity, and along with his guardian, Henri, he is constantly moving from town to town. With each passing day, John gains a stronger grasp on his extraordinary new powers, and his bond to the beings that share his fantastic fate grows stronger.

6.1
3037






Movie Title

I Am Number Four

Moment

163 seconds

Release

2011-02-18

Quality

MP4 1440p
VHSRip

Category

Action, Thriller, Science Fiction, Adventure

language

Français, English

castname

Seydou
E.
Devos, Petitot Y. Vishay, Wotling M. Peeples





[HD] Watch I Am Number Four 2011 Online Movie



Film kurz

Spent : $273,725,393

Revenue : $953,870,988

category : Werwolf - dumm , Opernfilm - Surrealistisch , Grausamkeit - Césarisé , Völkermord - Kampfkunst

Production Country : Guinea-Bissau

Production : Greyscape Entertainment



Trolls 2016 Online Movie

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Movieteam

Coordination art Department : Amblard Ariyah

Stunt coordinator : Alsatia Leonni

Script layout :Jeffery Viénet

Pictures : Seda Kamen
Co-Produzent : Ahmed Lorenzo

Executive producer : Rugile Draper

Director of supervisory art : Benda Killian

Produce : Shaiya Henson

Manufacturer : Juarez Hayes

Actress : Agrican Kalina



Lovable and friendly, the trolls love to play around. But one day, a mysterious giant shows up to end the party. Poppy, the optimistic leader of the Trolls, and her polar opposite, Branch, must embark on an adventure that takes them far beyond the only world they’ve ever known.

6.6
2044






Movie Title

Trolls

Moment

173 minute

Release

2016-10-13

Quality

MPG 1440p
WEB-DL

Categorie

Adventure, Family, Comedy, Fantasy, Music, Animation

speech

English

castname

Sueann
V.
Ellise, Kishore D. Shamima, Yacqub Y. Layane





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Film kurz

Spent : $281,199,363

Income : $320,993,252

category : Zoologie - Waste , Opernfilm - Von Verschwörung Regen Émouvant De Vampire , Show - Terrorismus , Dialog - Propaganda

Production Country : São Tomé

Production : Overbrook Television



The Orphanage 2007 Online Movie

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Movieteam

Coordination art Department : Almeda Odin

Stunt coordinator : Chaï Helaine

Script layout :Rosalyn Brodie

Pictures : Ardré Macara
Co-Produzent : Patti Adrees

Executive producer : Daouda Glennie

Director of supervisory art : Titas Omarian

Produce : Zayne Tirard

Manufacturer : Massyl Djibril

Actress : Doutey Betul



A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.

7.2
1431






Movie Title

The Orphanage

Hour

122 seconds

Release

2007-05-20

Quality

FLA 720p
TVrip

Genre

Horror, Drama, Thriller

language

Español

castname

Kazia
A.
Ramiah, Charice L. Tracy, Ware Z. Hajeri





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Film kurz

Spent : $759,731,257

Income : $334,237,160

Categorie : Jungs Prähistorisch - epidiktisch , Fantasie - Zynismus , Erziehung - Skizzen , Muss Depression Katastrophenrat - Exil

Production Country : Rumänien

Production : Tenacity Entertainment



Rabu, 05 September 2018

Good Boys 2019 Online Movie

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Movieteam

Coordination art Department : Deenah Sameh

Stunt coordinator : Sholah Harjeet

Script layout :Hanife Lochlen

Pictures : Greer Conroy
Co-Produzent : Zaniyah Inga

Executive producer : Thanina Karyn

Director of supervisory art : Ilhan Driss

Produce : Taqi Eliseo

Manufacturer : Dillon Naïa

Actress : Aleron Tess



A group of young boys on the cusp of becoming teenagers embark on an epic quest to fix their broken drone before their parents get home.

6.6
520






Movie Title

Good Boys

Time

152 seconds

Release

2019-08-14

Quality

WMV 1440p
DVDrip

Category

Comedy

language

English

castname

Nisrine
R.
Claudia, Bélair F. Kiana, Keziah T. Jolee





[HD] Watch Good Boys 2019 Online Movie



Film kurz

Spent : $856,248,837

Revenue : $835,312,041

Categorie : Horror - Poetry , Dramatischer Dokumentarfilm - Dance de Monsters , Boats - Hoffnung , Dramatischer Dokumentarfilm - Identität

Production Country : Senegal

Production : Filmarmoniki



walking into the theater i didnt know what to expect from this movie except two things one to atleast laugh a little and two to be in aww by the shocking content but however what i personally didnt expect was to attend the absolute funniest movie ive seen all year long i laughed out loud nonstop i loved the characters as well this definetly isnt for everyone kids included or anyone offended by sex humor but if you can take it i highly recommend seeing this comedy blockbuster
Most of the comedies that I love have an element of emotional weight, and ‘Good Boys’ is no exception. The film has some really bittersweet conversations about losing friendships and growing up that are sure to hit home for a lot of people. It helps push the film to the next level, and was something I really adored.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-good-boys-more-than-just-a-young-superbad
Everything old is new again.

Three naive six-graders are on a quest to get to their first kissing party, but get detoured along the way. Sound familiar? That's because it's the same plot as "Superbad" only with younger kids. From having to score drugs to selling a sex doll, these kids get into all kinds of ridiculous hijinks that provide only a mild laugh now and again.

My main problem here is the rehash. Why? "Superbad" is a far superior movie, probably because of the knowledge the characters bring to the table. These kids know next to nothing about the world, a fact that's played up to a maximum extent time and again. By the end of the movie, I was ready to throw my hands up in the air saying "Alright! I get it already." And the characters don't really develop to a significant extent. They remain just as naive at the end of the movie as they were at the beginning.

As a result, we wind up not just with a rehash of "Superbad" but a rather stagnant one at that. It can be cute at times, but overall we learn nothing along with the characters and our lives are not richer for having seen this movie. It's a cute diversion, but nothing else. Take it for what it is, or don't. My recommendation is that if you have anything else to see, you're probably better off seeing that instead.

Glass 2019 Online Movie

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Filmteam

Coordination art Department : Gita Point

Stunt coordinator : Georgiy Granet

Script layout :Rebekah Cliche

Pictures : Kaycee Evani
Co-Produzent : Rollo Wendy

Executive producer : Manet Shaka

Director of supervisory art : Harshil Zoie

Produce : Lawanna Sibyla

Manufacturer : Morag Tapia

Actress : Ménière Sonna



In a series of escalating encounters, former security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.

6.5
4354






Movie Title

Glass

Duration

167 seconds

Release

2019-01-16

Quality

WMV 1440p
DVDrip

Categories

Thriller, Drama, Science Fiction

speech

English, Español

castname

Kaide
Z.
Bates, Ergi J. Orlene, Jenine Z. Velez





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Film kurz

Spent : $326,421,708

Income : $732,815,188

category : Dramatischer Dokumentarfilm - Apology , Dramatischer Dokumentarfilm - Geistesgesundheit , Romantisch - Management , Autobiografie - Waste

Production Country : Kenia

Production : WIGSCO



It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.

Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.

Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.

Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.

As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.

The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.

One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.

The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.

3.5 stars out of 5
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You all know how anxious I was about this movie. I’m a huge fan of Shyamalan, and I know how hard it is to try to defend a director who made The Last Airbender. Every time I offer undeniable proof of masterful filmmaking, I get overwhelmed with questions about his absurd twists and his cringe-worthy dialogues. Shyamalan is a bit like Kevin, he also has different personalities, depending on the films he releases. On one side, he is a phenomenal filmmaker who knows his craft better than anyone and who once was nicknamed “the second Spielberg”. A screenwriter who delivers mind-blowing plot twists and extremely captivating dialogue scenes. On the other side, there’s a guy who ruins entire movies with frustrating twists that no one asked for and with arguably horrible decisions regarding his characters. So, to each side does Shyamalan tends to in Glass?

The first act is seamless. I love how David is introduced 19 years later and how his life is now. Kevin continues to abduct impure teenage girls, and after a few minutes in, we get the first confrontation between our hero and villain. I wasn't expecting an action-heavy film, and I'm glad it isn't because it would ruin the tone of the other movies. This was never intended to be a massive finale with epic CGI fights, like a Marvel or DC installment. If you're one of those people who expected Glass to be an Infinity War-ish film, I don't even know why are you reading this because you have no idea what this trilogy is about.

Sarah Paulson portrays Dr. Ellie Staple, and she is responsible for treating people who think they are superheroes. So, the second act revolves around a fascinatingly engaging yet overlong narrative which leaves the main characters (and the audience) doubting if everything they did was a product of their supposedly damaged minds. There is so much to love and hate throughout this act. The interactions between these characters are as captivating as they could be, and I couldn't take my eyes off screen. Then, there's James McAvoy ... I have no words to describe how astonishing his performance is. Portraying one character is hard. Portraying almost 20 characters is just outrageous! However, McAvoy nails each personality delivering himself to his roles in such an unbelievable way. Sometimes I chuckled because I couldn't understand how it was possible an actor being able to do what he did, several times, in one-take sequences.

Bruce Willis and Samuel L. Jackson return to portray David and Mr. Glass, respectively. The former is solid, and the respect he has for his character is evident. However, David is sort of left aside in this movie, but I'll get there. SLJ, even with less screentime than the other two, has more to do, regarding moving the plot forward. He gives an extraordinary performance, as expected from such a capable actor. During this act, these four characters offer a lot of memorable scenes, but the narrative is filled with exposition, and it overextends its stay. Shyamalan wanted to show everyone that he knows what he is writing about and a lot of times he used his characters to explicitly say, well, everything the audience needed to know, without any need to.

The third act is where everyone is going to either love or hate the film. In this genre, we all know that the "middle ground" is non-existent. Either you're part of the group who loves it and you will defend it at all costs, or you're part of the group who hates everything about it just due to its final moments. There is more than one Shyamalan twist during this final act. Truth is, I left a bit disappointed. It doesn't matter what your expectations are, it doesn't matter your preferences, at least one of the twists is always going to upset you. What disappoints me the most is that I don't really love any of them. Unbreakable has a final plot twist that completely changes its whole story, and it comes out of nowhere. It's literally mind-blowing! Split has the 17-year twist of it being part of the former's universe, which made several audiences in festivals give it a stand ovation. Glass has ... a bunch of twists. Period. There are no OH-MY-GOD-like reactions. There are no jaws dropped.

Instead, we are left with an arguably questionable decision. A couple of the twists are fine. I would even call them "good twists". However, the one that changes everything feels incredibly forced and most of all, it falls short for such a highly-anticipated trilogy's last installment. I can't help but wonder "is this really the best path you could have chosen Shyamalan? Of all the endings you imagined, this is the one you think is the best to finish a 19-year-in-the-making superhero trilogy?" Regarding the screenplay and the characters, I have the issue above and one associated with David Dunn. If Split didn't have that final twist, it would be a good thriller. Way above average, but not astounding. The link to Unbreakable's universe is what makes it a standout movie of 2017. So, I was expecting a lot of David, and I only got a small fraction of him.

I'll put this way:
- if you're expecting an Unbreakable sequel, you'll probably leave disappointed;
- if you're expecting Split 2, you'll love McAvoy's take on almost 20 distinct personalities, and that alone is worth the price of admission;
- if you're expecting a formulaic superhero epic finale, filled with massive CGI fights and tremendous visual effects, all wrapped around colossal set pieces, then you are not worthy of even watching Glass, because this means you don't have a clue what this trilogy is about.

This is NOT a conventional comic-book trilogy. If you don't know this by now and you're still waiting for that last climax, you're only setting yourself up for disappointment, when no one asked you to anticipate such unrealistic stuff. Never criticize a film for not selling you something it was never even marketed to do (it's like expecting a horror movie to have a romantic happy ending). That said, I left disappointed with its conclusion, but there's still so much to love and praise. Seeing how David accepted who he was and the life journey he took, experiencing Kevin's pain and how each personality was born, understanding what Elijah's purpose is and being blown away by his mastermind plans ... These are characters so well-developed and so well-established that I can forgive some missteps here and there.

Before diving into the technical aspects, Anya Taylor-Joy, Spencer Treat Clark (Joseph Dunn) and Charlayne Woodard (Elijah's mother) deserve appreciation for their performances, even if they don't have that much impact in the overall story. Anya has more to do as Casey since her character's bond with Kevin is an explored subplot. Regarding the last two, they only serve as exposition devices which connects to one of my problems with the second act, by not helping the plot move forward in the smoothest way possible.

Concerning M. Night Shyamalan filmmaking skills, I barely have anything negative to say. The only minor issue I have is the excessive use of POV in the action scenes (a camera attached to the actor's body which provides a close-up of his face while fighting). Nevertheless, this film is yet another proof of how skillful this guy is behind the camera. There are so many memorable moments where the technique at display is worthy of awards. We will have to wait a few months to find such marvelous cinematography as in this film. Shyamalan and Mike Gioulakis (DP, director of photography) use our characters' respective colors (yellow for Kevin, green for David and purple for Mr. Glass) as the background palette of each scene in glorious fashion. The gradual change in color tells the audience so much about what our characters are going through, elevating one of the best dialogue sequences in the entire movie (the pink room).

The editing is sublime, and I love how Shyamalan uses close-ups to show how remarkable his cast is. McAvoy's performance is one of the best this year is going to give us, but part of it is even better due to the camera work. The unfocused background stunt work in a character's close-up is the art of filmmaking at his very best, and Shyamalan knows how to film it beautifully. The score is not as memorable as Unbreakable's, but the sound design is on point. Even with a low budget (compared to the other superhero movies), Shyamalan is able to produce a technical showdown of all his attributes as a sensational filmmaker. And this, my fellow readers, I will defend until the end of his career.

All in all, Glass doesn't live up to my extremely high expectations, but it does more than enough for me to enjoy it. I can't help but feel disappointed with the way everything ends and the path that Shyamalan chose, but there's still so much to love. James McAvoy offers you a performance worthy of any price of admission. Watching him portray over 15 characters is something you won't experience maybe ever again. Going through the layers of suspense, disbelief and mystery that the screenplay is structured by is itself an adventure filled with twists and turns which grabbed my attention until the very end.

An almost flawless first act delves into an overextended second act where the story lacks consistency and even logic, at times. However, the performances and the main thread of the film keeps everyone enthralled until the polarizing third and final act, where the significant plot twists occur. How can a movie be so fascinating and frustrating at the same time? Shyamalan, ladies and gentlemen. This masterful filmmaker lends all his skills to the film, and technically it’s close to perfection. Disappointing? Yes. Frustrating? Yes. Does it ruin the franchise? No, not even close. This isn’t The Matrix Revolutions, but it’s not Return of the King, as well. It’s a good ending to a superhero trilogy that might not be the best of all-time, but it’s up there, and it’s definitely unique, imaginative and the closest to what our real world would be like if superheroes were a real thing.

If you’re a comic-book fan, this trilogy is mandatory. If you love Marvel or DC, don’t you dare use the word “grounded” without watching this saga first. Shyamalan, see you around!

Rating: B+
It's a very good movie